Saint Vitus – Saint Vitus 2012
Brooklyn, Saint Vitus 25 September 2012
Setlist ~ Blessed Night > I Bleed Black > War Is Our Destiny > Let Them Fall > The Bleeding Ground > The Waste of Time > Dependence > Living Backwards > Clear Windowpane > The Troll > White Stallions > Mystic Lady > Saint Vitus > Dying Inside > Born Too Late
Geek Specs
A/V ~ Sony HVR-Z5U with Sennheiser MKH418S M/S Stereo Shotgun Microphone > 1080i/60 HDV on Panasonic AY-DVM63PQUS > Sony GV-HD700 > Firewire > Final Cut Pro X > Compressor > H.264, 1280×720, 24fps, 8000kbps, AAC, 44kHz, 320kbps
Saint Vitus at Saint Vitus
Bloody Panda
An eclipse is an astronomical event that occurs when one celestial object moves into the shadow of another. The term is derived from the ancient Greek noun ἔκλειψις (ékleipsis), which is derived from the verb ἐκλείπω (ekleípō), “to cease to exist,” a combination of prefix εκ- (ek-), from preposition εκ, εξ (ek, ex), “out,” and of verb λείπω (leípō), “to be absent”. When an eclipse occurs within a stellar system, such as the Solar System, it forms a type of syzygy—the alignment of three or more celestial bodies in the same gravitational system along a straight line. [Wikipedia]
Coming to think of it, it’s probably safe to say that I’ve always been drawn to the ‘darker’ side of the sonic spectrum rather than finding much joy in the ‘happy camper’ corner. Like everyone else I of course occasionally do branch out to dip my beak into warmer waters and sunnier soundscapes. Although in the big pictures, the dark, the aggressive, the desperate, the tormented, the raw and the grim ruled my world in various ways from the get go. Consequently it comes as no surprise that with Bloody Panda it was love at first sight for me. No other band that I saw in the last 20+ years comes closer to being the artistic embodiment of a fully scaled eclipse, complete and utter darkness, cold and mysteriously ferocious. When these high priests of doom strike their first chord it feels as if they have the ability to switch off the sun with an organ note or a simple bass string. Yet their earsplitting compositional onslaught defies categorization. It is heavy but not metal, it is dark but not gothic, it is complex but not math, it is unorthodox but not experimental, it is atmospheric but not ambient. It is, frankly spoken, a monstrous beast on the loose, impossible to pin down, let alone classify with known musical genres.
Having followed the band around New York City since 2006, (((unartig))) is pleased and proud to finally present a selection of brutally magnificent performances, alongside an exclusive interview conducted for us by Fred Pessaro, Metal/Punk Editor of BrooklynVegan. Additional text contributions come from Aidan Baker/Nadja and Jan/Black Shape of Nexus.
Vodpod videos no longer available.
leave a comment