Scout Paré-Phillips – Trans Pecos 2015
Queens, Trans Pecos 27 February 2015
Setlist ~ Heed The Call > Astronomy > Crying > Let Me Go > Mighty Wind > Fields Of Ash > The Flood > Fire > Wounded Son
Geek Specs ~ Canon EOS C100 with Zeiss 35mm F/1.4L Distagon + Sennheiser MKH418S M/S > AVCHD 24Mbps 1920×1080 60i LPCM > Transcend 64GB SDXC > Transcend RDF8 > Firewire > Final Cut Pro X > Compressor > H.264, 1280×720, 24fps, 8000kbps, AAC, 44kHz, 320kbps
Scout Paré-Phillips at Trans Pecos
Helmet – Saint Vitus 2015
Brooklyn, Saint Vitus 22 February 2015
Setlist ~ Wilma’s Rainbow > I Know > Biscuits for Smut > Milquetoast > Tic > Rollo > Street Crab > Clean > Vaccination > Beautiful Love > Speechless > The Silver Hawaiian > Overrated > Sam Hell > It’s Easy To Get Bored > So Long > Renovation > You Borrowed > Diet Aftertaste > Bad Mood > Driving Nowhere > FBLA > Unsung > On Your Way Down > Iron Head > In the Meantime
Geek Specs ~ Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Canon EOS C100 with 24-105mm f/4L > AVCHD 24Mbps 1920×1080 60i LPCM > Sony 64GB UHS-I SDXC (Class 10/U3) > Transcend RDF8 > Firewire > Final Cut Pro X > Compressor > H.264, 1280×720, 24fps, 8000kbps, AAC, 44kHz, 320kbps
Audio recorded by Dan Lynch for Nyctaper. Download their recording of the full show here.
Helmüt at Saint Vitus
Liturgy – Death BY Audio 2014
Brooklyn, Death By Audio 30 October 2014
Setlist (courtesy of William Scerbo) ~ High Gold > Follow > Kel Valhaal > Follow II > Returner > Quetzalcoatl > Generation > Pagan Dawn
Geek Specs ~ Canon EOS C100 with Zeiss 35mm F/1.4L Distagon + Sennheiser MKH418S M/S > AVCHD 24Mbps 1920×1080 60i LPCM > Transcend 64GB SDXC > Transcend RDF8 > Firewire > Final Cut Pro X > Compressor > H.264, 1280×720, 24fps, 8000kbps, AAC, 44kHz, 320kbps
Liturgy at Death by Audio
Refused – Bielefeld 1998
Bielefeld, Germany, Alternatives Jugendzentrum 2 June 1998
Setlist ~ The Shape of Punk to Come > The Refused Party Program > Circle Pit > Hook, Line and Sinker > Refused Are Fucking Dead > Summerholidays vs. Punkroutine > Rather Be Dead > The Deadly Rhythm > New Noise > Tannhäuser/Derivè
Geek Specs ~ Sony CCD-VX1 w/onboard microphone > TDK P5-90EHG > Sony EV-C2000E PAL > Monster MC 200SV-2M High Performance S-Video Cable > Canopus ADVC110 > Firewire > Quicktime Pro7 (Native Device Import Mode) > Final Cut Pro X > Compressor > H.264, 720×576, 24fps, 8000kbps, AAC, 44kHz, 320kbps
Refused in Bielefeld 1998
Canned Heat – Hamburg 1987
Hamburg, Germany, Markthalle 26 September 1987
Setlist (courtesy of Macie Blues) ~ On the road again > I Ain’t Got You > Rollin’& Tumblin’ > Amphetamine Annie > Henry’s Texas Shuffle > Going up the country > Sweet home Chicago
Geek Specs ~ Unknown Sony camera and microphone > Rake P5-60MP > Sony EV-C2000E PAL > Monster MC 200SV-2M High Performance S-Video Cable > Canopus ADVC110 > Firewire > Quicktime Pro7 (Native Device Import Mode) > Final Cut Pro X > Compressor > H.264, 720×576, 24fps, 8000kbps, AAC, 44kHz, 320kbps
A Monokell Productions A/V recording, presented by (((unartig))). Camera work by Oliver Müller, Karsten Schulze & Thomas Schulze.
Canned Heat in Hamburg
At The Drive-In – Bremen 2001
Bremen, Germany, Kesselhalle at Schlachthof 20 February 2001
Setlist ~ Arcarsenal > Pattern Against User > Quarantined > Rascuache > Cosmonaut > Invalid Litter Department > Enfilade > Rolodex Propaganda > 198D > One Armed Scissor > Napoleon Solo > Catacombs
Geek Specs ~ Sony CCD-VX1 w/onboard microphone > BASF P5-90PHG > Sony EV-C2000E PAL > Monster MC 200SV-2M High Performance S-Video Cable > Canopus ADVC110 > Firewire > Quicktime Pro7 (Native Device Import Mode) > Final Cut Pro X > Compressor > H.264, 720×576, 24fps, 8000kbps, AAC, 44kHz, 320kbps
At The Drive-In in Bremen 2001
State of War – Eindhoven 1988
Eindhoven, The Netherlands, Effenaar 14 May 1988
Setlist ~ need help
Geek Specs ~ Unknown Sony camera and microphone > Rake P5-60MP > Sony EV-C2000E PAL > Monster MC 200SV-2M High Performance S-Video Cable > Canopus ADVC110 > Firewire > Quicktime Pro7 (Native Device Import Mode) > Final Cut Pro X > Compressor > H.264, 720×576, 24fps, 8000kbps, AAC, 44kHz, 320kbps
A Monokell Productions A/V recording, presented by (((unartig))). Camera work by Oliver Müller, Karsten Schulze & Thomas Schulze.
State of War in Eindhoven
Springfoot Jack – Celler Loch 1996
Celle, Germany, Celler Loch 17 April 1996
Setlist ~ need help
Geek Specs ~ Sony CCD-VX1 w/on board microphone > Sony P5-90MP > Sony EV-C2000E PAL > Monster MC 200SV-2M High Performance S-Video Cable > Canopus ADVC110 > Firewire > Quicktime Pro7 (Native Device Import Mode) > Final Cut Pro X > Compressor > H.264, 720×576, 24fps, 8000kbps, AAC, 44kHz, 320kbps
A Monokell Productions A/V recording, presented by (((unartig))). Camera work by Oliver Müller.
Springfoot Jack at Celler Loch
Springfoot Jack – Buntes Haus 1996
Celle, Germany, Buntes Haus 10 April 1996
Setlist ~ need help
Geek Specs ~ Sony CCD-VX1 w/on board microphone > Sony P5-90MP > Sony EV-C2000E PAL > Monster MC 200SV-2M High Performance S-Video Cable > Canopus ADVC110 > Firewire > Quicktime Pro7 (Native Device Import Mode) > Final Cut Pro X > Compressor > H.264, 720×576, 24fps, 8000kbps, AAC, 44kHz, 320kbps
A Monokell Productions A/V recording, presented by (((unartig))). Camera work by Oliver Müller and Torsten Meyer.
Springfoot Jack at Buntes Haus
Springfoot Jack – Celler Loch 1995
Celle, Germany, Celler Loch 29 September 1995
Setlist ~ need help
Geek Specs ~ Unknown Sony camera and microphone > Fuji P5-60 > Sony EV-C2000E PAL > Monster MC 200SV-2M High Performance S-Video Cable > Canopus ADVC110 > Firewire > Quicktime Pro7 (Native Device Import Mode) > Final Cut Pro X > Compressor > H.264, 720×576, 24fps, 8000kbps, AAC, 44kHz, 320kbps
A Monokell Productions A/V recording, presented by (((unartig))). Camera work by Oliver Müller.
Springfoot Jack at Celler Loch
UNARTIG 
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