“Music was my first love – and it will be my last. – Music of the future – and music of the past. – To live without my music – would be impossible to do. – In this world of troubles, – my music pulls me through” (John Miles). All cheesiness aside, thanks to Skeletons for reminding me of this simple truth. There was a time in my life during which I had forgotten what music means to me. But along came Skeletons, a band that is constantly exploring, evolving and rearranging itself – both compositionally and constitutionally. Sometimes a duo, sometimes an orchestral big band but mostly a quintet, the only constant in this gleeful Brooklyn outfit remains a never ending procession into the artistically unknown. Skeletons create pop songs for people who recoil from simple structured shallowness. Songs that exercise a lust for riveting creativity and songs that evaporate a colorful bouquet of styles and influences through a gazillion pores with every note played. If there is beauty in music – and I’m talkin’ unconditionally transcending beauty, not just some superficial pretty surface – then Skeletons are right at the heart of it. It is a very special gift that this band calls their own. Matthew Mehlan and company are able to reignite long lost sparks in self-proclaimed oversaturated burnouts like myself. Being talented alone hardly does the trick. To elevate mind-boggling craftsmanship to a higher level of seductive artistry one must also be part of the dedicated and rarely found few to whom music is their first love, and to whom it will be their last. In Skeletons’ case said dedication over the years intertwined with communal aspects such as the creation of their own independent and free-spirited art space, “The Silent Barn”, and taking upcoming Hip Hop crew Nine 11 Thesaurus under their guiding wings. If you will, Skeletons are 21st century hippies, a fine group of people who have overcome antiquated fashions and styles while keeping the general idea of a community driven sensibility for working with one another very much alive. Over the course of the last five years (((unartig))) documented the many faces of Skeletons both in New York City and Europe, the highlights of which are presented with this anthology. Alongside these A/V capsules come words by Jonathan Pfeffer/Capillary Action, Jocelyn Soubiran/Zebulon, Charlie Looker/Extra Life and Andreas Schnell/Trust/TAZ.